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Margareta snyders
Painting ID:: 31752
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Anthony Van Dyck
Margareta snyders
mk76
Painted
c.1620
Oil on canvas
51 1/2x39 1/8in
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Paola adorno,Marchesa di brignole sale
Painting ID:: 31753
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Anthony Van Dyck
Paola adorno,Marchesa di brignole sale
mk76
Painted between 1622 and 1627
Oil on canvas
90 7/8x61 5/8in
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James,seventh earl of derby,his lady and child
Painting ID:: 31754
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Anthony Van Dyck
James,seventh earl of derby,his lady and child
mk76
Painted between 1632 and 1641
Oil on canvas
97x84 1/8in
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Sir John Suckling
Painting ID:: 31755
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Anthony Van Dyck
Sir John Suckling
mk76
Painted between 1632 and 1641
Oil on canvas
85 1/4x511/4in
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The Countess of clanbrassil
Painting ID:: 31756
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Anthony Van Dyck
The Countess of clanbrassil
mk76
Painted probably in 1636
Oil on canvas
83 1/2x50 1/4in
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Anthony Van Dyck
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Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters. |
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Related Artists::.
| Francesco Cairo | camille saint | GREUZE, Jean-Baptiste | |
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